Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Jjean-Marc nattier
Marie-Josephe de Saxe, Dauphine de France (1731-1767), dite autrfois Madame de France

ID: 74780

Jjean-Marc nattier Marie-Josephe de Saxe, Dauphine de France (1731-1767), dite autrfois Madame de France
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Jjean-Marc nattier Marie-Josephe de Saxe, Dauphine de France (1731-1767), dite autrfois Madame de France


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | The Marquise de Vintimille as Aurora, Pauline Felicite de Mailly-Nesle | Portrait of Mathilde de Canisy, Marquise d'Antin | Madame de Maison-Rouge as Diana | Madame Adelaide de France Tying Knots | Madame de Maison-Rouge as Diana |
Related Artists:
Jan Wijnants
Dutch, born circa 1635-1684,was a Dutch painter of the Baroque era. He was the son an art dealer also named Jan Wijnants. After his mother's death, his father remarried Maria Jans van Stralen, widow of Jasper Jaspersz van Heemskerck, and mother of the painter Egbert Jaspersz van Heemskerck, making Wijnant and Van Heemskerck stepbrothers. Wijnants was active in Haarlem until 1660, after which he moved to Amsterdam. Wijnants is primarily known for his landscapes and paintings featuring topography. Adriaen van de Velde trained in his studio and his style later had influence on the English artist, Thomas Gainsborough.
Edward Sherrif Curtis
American Photographer , b.1869 d.1952
John Roddam Spencer Stanhope
English Pre-Raphaelite Painter, 1829-1908,English painter. The second son of Yorkshire landed gentry, he was educated at Rugby and Christ Church, Oxford. In 1850 he studied in London with G. F. Watts, through whom he entered the artistic circle at Little Holland House, where he met D. G. Rossetti and Edward Burne-Jones. In 1857 Rossetti invited him to paint at the Oxford Union (Sir Gawaine and the Damsels at the Fountain), and in 1858 Stanhope occupied a studio next to Rossetti's at Chatham Place, Blackfriars (London), where he painted Thoughts of the Past (London, Tate); a modern-life subject indebted to Rossetti, it shows a prostitute recalling her former life. Stanhope's close friendship with Burne-Jones proved a more decisive influence on his work that, in the 1860s, consisted of dreamlike poetic and mythological subjects often set in quaint, enclosed spaces, as in I Have Trod the Winepress Alone






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